Ae Fond Kiss is a "classic" film on Inclusive Multicultural. Classic
why is life that we expect to see in terms of lack of integration,
classic because it speaks of a love story.
I tried a lot around this film came out in 2004 because I was interested to see how Britain lived, albeit through the eyes of director Ken Loach , a conflict that
is not only racial, but generational .
Another British artist, writer Zadie Smith , had told this conflict in the book
" White Teeth" (reviewed by me for the literary magazine Samgha ) making love with his characters, from parents to children, grandchildren.
In this film, but it sharpens the contrast between Casim, the only son of a family of Pakistani origin, and their parents, due to a pre-existing marriage.
seems that it is the contrast the true protagonist of the story: the characters are well chosen, but are unlikely to shake off the image of child, parent, teacher, priest. The injury, which is of blacks against whites and vice versa, or immigrants to the host population, dominates the lives of everyone, a dark possibility of knowledge that requires
culture and empathy. The only other
gradient is given by the narration of the love story between Casim and Irish Roisin: their love is based on naturally.
dynamics involving the two boys strictly dominates the desire to know and trust / rely on each other. The only difference is in the eye outside the couple that travels on a rail profoundly human, that of the heart, which knows no distinctions of role, class or color (if you know them and tries to break them).
not a film that offers innovative solutions and prospects for integration: just photographing what it is, what it is like to be standardized, and how they can be unpacked all the prejudices when driving is not the role you play in society, but a different life. Just to be human .
why is life that we expect to see in terms of lack of integration,
classic because it speaks of a love story.
I tried a lot around this film came out in 2004 because I was interested to see how Britain lived, albeit through the eyes of director Ken Loach , a conflict that
is not only racial, but generational .
Another British artist, writer Zadie Smith , had told this conflict in the book
" White Teeth" (reviewed by me for the literary magazine Samgha ) making love with his characters, from parents to children, grandchildren.
In this film, but it sharpens the contrast between Casim, the only son of a family of Pakistani origin, and their parents, due to a pre-existing marriage.
seems that it is the contrast the true protagonist of the story: the characters are well chosen, but are unlikely to shake off the image of child, parent, teacher, priest. The injury, which is of blacks against whites and vice versa, or immigrants to the host population, dominates the lives of everyone, a dark possibility of knowledge that requires
culture and empathy. The only other
gradient is given by the narration of the love story between Casim and Irish Roisin: their love is based on naturally.
dynamics involving the two boys strictly dominates the desire to know and trust / rely on each other. The only difference is in the eye outside the couple that travels on a rail profoundly human, that of the heart, which knows no distinctions of role, class or color (if you know them and tries to break them).
not a film that offers innovative solutions and prospects for integration: just photographing what it is, what it is like to be standardized, and how they can be unpacked all the prejudices when driving is not the role you play in society, but a different life. Just to be human .
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